שי בידרמן

ד"ר שי בידרמן


Dr. Shai Biderman
מוסד עיקרי

המכללה האקדמית בית-ברל

Beit Berl College

טלפון
054-2240572
דוא״ל
bidermans@beitberl.ac.il
דיסציפלינות ראשיותMain Disciplines
Arts, Cultural Studies, Ethics, Literature, Media Studies and Communication, Philosophy
דיסציפלינות משניותSecondary Disciplines
Film studies, Fine Arts
תחומי מחקר / מילות מפתחKeywords
Existentialism, Moving image, Phenomenology, Philosophy of film, Screen studies
פרסומים ויצירות עיקריים / עדכנייםMain / Recent Publications

  • Biderman, S. (2022). A Serious Man as Philosophy: The Elusiveness of Moral Knowledge. In: The Palgrave Handbook of Popular Culture as Philosophy. Palgrave Macmillan, Cham.

  • Weinman, M., & Biderman, S. (2022). "Chapter 15 Symbiosis, Interruption, and Exchange". In Parasite: A Philosophical Exploration. Leiden, The Netherlands: Brill.

  • Biderman, S. Ronen Gil & Ido Lewit. (2019). Life in the Black Lodge: The Twin Challenge of Watching Twin Peaks. In Amanda DiPaolo & Jamie Gillies (Eds.), The Politics of Twin Peaks. (pp. 177-192). London: Lexington.

  • Biderman, S., & Wienman, M. (Eds.). (2019). Plato and the Moving Image. Leiden: Brill.

  • Biderman, S. (2018). History, memory and metaphors in Robert Zemeckis’ The Walk. Slil: Journal for History, Film and Television, 13, 3-29.

  • Biderman, S. (2017). A Touch of Evil: Cinematic Perspectives. In R. Lazar (Ed.), Talking About Evil, Psychoanalytic, social, and cultural perspectives (pp. 164-180). New York: Routledge.

  • Biderman, S. (2017). Truth, reality, and fiction in the documentary of Errol Morris: Refiguring Platonism in epistemology and aesthetics. Existenz: An International Journal in Philosophy, Religion, Politics and Arts, 12(2), 58-64.

  • Biderman, S., & Lewit, I. (2017). TV’s Fargo and the philosophy of the Coen Brothers. Film and Philosophy, 21, 17-30.

  • Biderman, S., & Lewit, I. (Eds.). (2016). Mediamorphosis: Kafka and the Moving Image. London and New York: Wallflower Press (an imprint of Columbia University Press).

  • Devlin, William J. and Shai Biderman. (2016). The Beguiling Horror of Hannibal Lecter. In Joseph Westfall (Ed.), Hannibal Lecter and Philosophy. (pp. 217-228). Chicago: Open Court.

  • Biderman, S. (2015). Film as Philosophy: the Case of Thought Experiments. In N. Yaari and E. Rozik (Eds.), Inter-art journey: exploring the common grounds of the arts: studies in honor of Eli Rozik (pp. 121-136) Brighton and Chicago: Sussex Academic Press.

  • Biderman, S. (2014). A Night at the Opera of Talmudic reasoning: The “Jewishness” of Jewish cinema. Cinema: Journal of Philosophy and the Moving Image, 4, 14-27.

  • Biderman, S. (2014). Into the Wild (West): Philosophy and cinematic mythmaking. Existenz: An International Journal in Philosophy, Religion, Politics and Arts, 9(2), 53-62.

  • Biderman, S., & Devlin, W. (2012). Sartre’s existential analysis of moral dilemmas through Gone Baby Gone. Film and Philosophy, 6, 70-81.

  • Biderman, S., & Devlin, W. (Eds.). (2011). The Philosophy of David Lynch. Kentucky, Lexington, KY: The University Press of Kentucky.

  • Biderman, S. (2010). Do Not Forsake Me, Oh, My Darling: Loneliness and Solitude in the Westerns. In Jennifer L. McMahon and B. Steve Csaki (Eds.), The Philosophy of the Western (pp. 13-29). Kentucky: The University Press of Kentucky.