ד"ר איימי גרנאי

Thomas Holcroft's Revolutionary Drama: Reception and Afterlives Bucknell University Press. Lewisburg PA: 2023

"Conjuring Comedies of 1792." The Wordsworth Circle 48 (Spring 2017), 88-95.

"Robert Merry's Expatriation and the Pains of Memory", The Wordsworth Circle 44 (Summer 2013), 101-105.

"An Exile on the Coast: Robert Merry's Transatlantic Journey, 1796-1798". The Review of English Studies 64:203 (February 2013), 87-104.

"'A Lock Upon My Lips': The Melodrama of Silencing and Censorship in Thomas Holcroft's Knave, or Not?" Eighteenth-Century Studies 43:4 (Summer 2010), 473-484

Revolutionary Imaginings in the 1790s: Charlotte Smith, Mary Robinson, Elizabeth Inchbald (Palgrave Macmillan, 2009)

"Radicalism, Caution and Censorship in Elizabeth Inchbald's Every One Has His Fault" SEL Studies in English Literature 1500-1900 47:3 (Summer 2007), 703-722.

Introduction and ed., "A Letter from Charlotte Smith to the Publisher George Robinson", Eighteenth-Century Fiction 19:4 (Summer 2007), 391- 400.

' One Victim from the Last Despair’: Mary Robinson’s Marie Antoinette", Women’s Writing 12:3 (2005), 381-398.