ד"ר שחר מרנין-דיסטלפלד

Meler T, Marnin-Distelfeld S. Marriage and motherhood: Insights on a crucial life course process from the perspective of female arab-palestinian undergraduate students. Adv Life Course Res. 2024 Jun;60:100614

Marnin-Distelfeld, S. (2024). Dialogue and challenge: wildflowers in contemporary Israeli art mirrored in history. Journal of Modern Jewish Studies, 1–27.

Shahar Marnin-Distelfeld. An Unheard Voice: The Paintings of Zohar Tal Inbar, a Mother Looking at Her Soldier Son. Signs and Society 2023 11:3, 291-317

Shahar Marnin-Distelfeld (2023) Women botanical-illustrators and their successors in the Israeli culture: merging historical heritage with contemporary art, Journal of Visual Art Practice

Meler, T., & Marnin-Distelfeld, S. . (2023). Perceptions of the ’Proper Family’ in Palestinian-Arab Society in Israel as Reflected in Family Members’ Drawings. Journal of Ethnic and Cultural Studies, 10(1), 1–21.

Marnin-Distelfeld, S. (2023). Creativity as an experience and as a complexity: visual-narrative research of the artworks of Tsipy Amos Goldstein. Creativity Studies, 16(1), 125–144.

Shahar Marnin-Distelfeld (2022) Advertisements as Cultural Texts: Looking at Homemakers and Mothers in Mandate Palestine, Visual Communication Quarterly

Shahar Marnin-Distelfeld (2021) ‘In the liveliest place, my mother's bosom, there was death’ – mother-daughter relationships in the work of Rachel Nemesh, Second-Generation Holocaust survivor, Holocaust Studies

Shahar Marnin-Distelfeld; An Inner Voice Liberated: Feminist Reading of Lilian Weisberger’s Artwork. Journal of Middle East Women's Studies 1 March 2021; 17 (1): 22–42.

Shahar Marnin-Distelfeld & Tal Meler (2021) Leaving Home: Decoding Art Projects of Female Arab-Palestinian Students, Visual Resources, 37:1, 63-89

Marnin-Distelfeld, S., & U. Dorchin. (2020). ‘I'm not an artist, I make art’: Amateurish artists in Israel and the sense of creativity.Creativity Studies, 13(1): 64-86.

Marnin-Distelfeld, S. (2020). ‘We were once’– A quartets game aiming at learning history through playing. Journal of Education, 200(3), 143-152.

Marnin-Distelfeld, S. (2020). Between wonderland and shadow land: Girl's representations of Lilian Weisberger." Migdar, 6. [Hebrew]

*Marnin-Distelfeld, S. (2020). Serious leisure visual artists in Israel: Challenging amateurism. International Journal of the Sociology of Leisure.

Marnin-Distelfeld, S., & E. Carmel Hakim. (2019). The art of a woman, the story of a nation. Nashim, 34, 123-145.

Marnin-Distelfeld, S., & E, Gorney. (2019). Why draw flowers? Botanical art and women's contribution to Israeli culture. Anthropology of the Middle East, 14(1), 45–69.

Marnin-Distelfeld, S. (2019). Images of wild flowers in the Israeli culture – Representations of a troubled land, Images, 12(1), 180-202.

Marnin-Distelfeld, S. (2018). A space of their own: Arab women artists in Israel: Identity of a ‘double-minority.’ Journal of International Women's Studies, 19(2), 65-83.

Marnin-Distelfeld, S. (2018). ‘Don’t shop blind-folded!’ –Representations of the homemaker in Mandatory Palestine –Language and image." Kesher, 51, 111-121. [

Marnin-Distelfeld, S. (2017). ’Simplicity in your kitchen, your obligation to them’: Home and war in domestic products’ ads from Mandatory Palestine. International Journal of Social Science and Economic Research, 2(4), 3178-3199.