ד"ר אורית סוניה ויסמן

Waisman, O.S. (2025). Come meet the dragons!: A Jungian analytic perspective of states of shut-down. In E. Brodersen, I. Meier & V.C. Musso (Eds.), Jungian and Interdisciplinary Interfaces Between Emotions (pp. 167-178). Routledge.

Wagner, D., & Waisman, O. S. (2023). Stirring up health: Polyvagal theory and the dance of mismatch in multi-generational trauma healing. Body, Movement and Dance in Psychotherapy, 18(2), 122-136.

Gintsburg, S., & Waisman, O. S. (2023). Many Faces of Omar: Integrative Multimodal Analysis of a Story of Migration Found on YouTube: Focus on Positioning. Journal of International Migration and Integration, 1-19

Waisman, O.S. (2020). The third in a two-sided coin; the role of Germany as reflected in the narratives of Arab-Jewish participants in intergroup discussions. In A. Mana & A. Srour (Eds.), Israel and Palestinian narratives in conflict. A tribute
to Shifra Sagy and her work. (pp. 246-267). Cambridge Scholars Publishing Ltd.

Waisman, O.S. (2018). Dance and movement as a bridge to health: Dance movement therapy with children and youth as risk. From Exclusion to Inclusion, 20, 235-252. (Hebrew).

Waisman, O.S. (2017). Mismatches between verbal and nonverbal signs, observing signs of change. Journal of Multimodal Communication Studies, 4(1-2), 75-80. Special issue: Gesture and Speech in Interaction, Poznań, Poland.

Waisman, O.S. (2017). The curative factors of dance in a multi-ethnic group of DMT students in a conflict zone analyzed from the perspective of the concept ‘cultural complex’. In R. Hougham, S. Pitruzzella, & S. Scoble (Eds.), Cultural landscapes in the arts therapies (pp. 238-252). Plymouth University Press.

Waisman, O. S. (2010). Body, language and meaning in conflict situations.‏