ד"ר גיא טל

Art and Witchcraft in Early Modern Italy, Amsterdam: Amsterdam University Press, 2024.

“Magical Monsters: Hybrids and Witchcraft in Early Modern Art.” Poetics Today, a special issue on visual hybrids, 44, no. 4 (2023): 589–630.

“Skepticism and Morality in Jacques de Gheyn II’s Preparation for the Witches’ Sabbath.” Simiolus: Netherlands Quarterly for the History of Art, 44, nos. 1–2 (2022): 5–27.

“Saint or Sinner? Enea Vico’s Old Woman with a Distaff after a Drawing by Parmigianino.” Source: Notes in the History of Art 38, no. 3 (2019): 143–57.

“A Chimerical Procession: Invention, Emulation, and the Language of Witchcraft in Lo stregozzo.” Artibus et Historiae 78 (2018): 267-95.

“Demonic Possession in the Enlightenment: Goya’s Flying Witches.” Magic, Ritual, and Witchcraft 11, no. 2 (2016): 176-207.

“An ‘Enlightened’ View of Witches: Melancholy and Delusionary Experience in Goya’s Spell.” Zeitschrift für Kunstgeschichte 75, no. 1 (2012): 33-50.

“Switching Places: Salvator Rosa’s Pendants of A Witch and A Soldier, and the Principle of Dextrality.” Source: Notes in the History of Art 30, no. 2 (2011): 20-25.