ד"ר ערן גוטר

Guter, E. (2025). Musical Expression: From Language to Music and Back. Philosophies, 10(1), 9.

Guter, E. (2024). Carl Stumpf and the Curious Incident of Music in Wittgenstein’s Tractatus. Archiv für Geschichte der Philosophie.

In Carla Carmona, David Perez-Chico & Chon Tejedor (eds.), Intercultural Understanding After Wittgenstein. London: Anthem. pp. 77-91 (2023)

Guter, E. & Guter, I. (2023). Seeing One Another Anew with Godfrey Reggio’s Visitors. In C. Fox & B. Harrison (Eds.), Philosophy of Film, Without Theory. Film Studies and Philosophy Series. Basingstoke: Palgrave Macmillan.

Eran Guter , Inbal Guter, Thinking Through Music: Wittgenstein’s Use of Musical Notation, The Journal of Aesthetics and Art Criticism, 2023;, kpad033,

Guter, Eran and Inbal Guter. ‘Susanne Langer on Music and Time.’ Estetika: The European Journal of Aesthetics LVIII/XIV, no. 1 ESTETIKA (2021): pp. 35–56.

Guter, E. (2020). The Philosophical Significance of Wittgenstein’s Experiments on Rhythm, Cambridge 1912-1913. Estetika: The European Journal of Aesthetics 57(1), 28-43.

Guter, E. (2020). Measure for Measure: Wittgenstein’s critique of the Augustinian picture of music. In H. Appelqvist (Ed.), Wittgenstein and the Limits of Language (pp. 245-269. Routledge Studies in Twentieth-Century Philosophy. London: Routledge.

Guter, E. (2019). ‘A small, shabby crystal, yet a crystal’: a life of music in Wittgenstein’s Denkbewegungen. In B. Sieradzka-Baziur, I. Somavilla, & C. Hamphries (Eds.), Wittgenstein's Denkbewegungen. Diaries 1930-1932/1936-1937: Interdisciplinary Perspectives (pp. 83-112). Innsbruck: Studien Verlag. [An imprint of Haymon Verlag]

Guter, E. (2019). Musical Profundity: Wittgenstein’s Paradigm Shift. In C. Carmona (Ed.), Special Issue: Wittgenstein, Music and Architecture. Apeiron. Philosophical Studies 10, 41-58.

Guter, E. (2017). Wittgenstein, Modern Music, and the Myth of Progress. In I. Niiniluoto and T. Wallgren (Eds.), Special Issue: On the Human Condition – Essays in Honour of Georg Henrik von Wright’s Centennial Anniversary, Acta Philosophica Fennica 93, 181-199.

Guter, E. (2017). Wittgenstein on musical depth music and our knowledge of humankind. In G. Hagberg (Ed.), Wittgenstein on Aesthetic Understanding (pp. 217-247). Philosophers In Depth. Basingstoke: Palgrave Macmillan.

Guter, E. (2015). The Good, the Bad and the Vacuous: Wittgenstein on Modern and Future Musics. Journal of Aesthetics and Art Criticism 73(4), 2015, 427-439.

Guter, E. & Guter, I. (2015). Impurely Musical Make-Believe. In A. Bareis & L. Nordrum (Eds.), How to Make Believe: The Fictional Truths of the Representational Arts. Narratologia. 49 (pp. 283-306). Berlin: De Gruyter.

Guter, E. (2011). 'A Surrogate for the Soul': Wittgenstein and Schoenberg. In E. De Pellegrin (Ed.), Interactive Wittgenstein: Essays in Memory of Georg Henrik von Wright. Synthese Library 349 (pp. 109-152). New York: Springer.

Guter, E. (2010). Aesthetics A-Z. Edinburgh: Edinburgh University Press, 2010. xiv, 237 p.

Guter, E. (2005). An Inadvertent Nemesis: Wittgenstein and Contemporary Aesthetics. British Journal of Aesthetics 45(3), 2005, 296-306.

Guter, E. (2005). Ornamentality in the New Media. In A. Biletzki (Ed.), Hues of Philosophy: Essays in Memory of Ruth Manor (pp. 83-96). London: College Publications.

Guter, E. (2002). Anti-Mimesis Live. In R. Lorand (Ed.), Television: Aesthetic Reflections (pp. 139-160). New York: Peter Lang.