ד"ר ערן גוטר

Guter, E. (2024). Carl Stumpf and the Curious Incident of Music in Wittgenstein’s Tractatus. Archiv für Geschichte der Philosophie.

In Carla Carmona, David Perez-Chico & Chon Tejedor (eds.), Intercultural Understanding After Wittgenstein. London: Anthem. pp. 77-91 (2023)

Guter, E. & Guter, I. (2023). Seeing One Another Anew with Godfrey Reggio’s Visitors. In C. Fox & B. Harrison (Eds.), Philosophy of Film, Without Theory. Film Studies and Philosophy Series. Basingstoke: Palgrave Macmillan.

Eran Guter , Inbal Guter, Thinking Through Music: Wittgenstein’s Use of Musical Notation, The Journal of Aesthetics and Art Criticism, 2023;, kpad033,

Guter, Eran and Inbal Guter. ‘Susanne Langer on Music and Time.’ Estetika: The European Journal of Aesthetics LVIII/XIV, no. 1 ESTETIKA (2021): pp. 35–56.

Guter, E. (2020). The Philosophical Significance of Wittgenstein’s Experiments on Rhythm, Cambridge 1912-1913. Estetika: The European Journal of Aesthetics 57(1), 28-43.

Guter, E. (2020). Measure for Measure: Wittgenstein’s critique of the Augustinian picture of music. In H. Appelqvist (Ed.), Wittgenstein and the Limits of Language (pp. 245-269. Routledge Studies in Twentieth-Century Philosophy. London: Routledge.

Guter, E. (2019). ‘A small, shabby crystal, yet a crystal’: a life of music in Wittgenstein’s Denkbewegungen. In B. Sieradzka-Baziur, I. Somavilla, & C. Hamphries (Eds.), Wittgenstein's Denkbewegungen. Diaries 1930-1932/1936-1937: Interdisciplinary Perspectives (pp. 83-112). Innsbruck: Studien Verlag. [An imprint of Haymon Verlag]

Guter, E. (2019). Musical Profundity: Wittgenstein’s Paradigm Shift. In C. Carmona (Ed.), Special Issue: Wittgenstein, Music and Architecture. Apeiron. Philosophical Studies 10, 41-58.

Guter, E. (2017). Wittgenstein, Modern Music, and the Myth of Progress. In I. Niiniluoto and T. Wallgren (Eds.), Special Issue: On the Human Condition – Essays in Honour of Georg Henrik von Wright’s Centennial Anniversary, Acta Philosophica Fennica 93, 181-199.

Guter, E. (2017). Wittgenstein on musical depth music and our knowledge of humankind. In G. Hagberg (Ed.), Wittgenstein on Aesthetic Understanding (pp. 217-247). Philosophers In Depth. Basingstoke: Palgrave Macmillan.

Guter, E. (2015). The Good, the Bad and the Vacuous: Wittgenstein on Modern and Future Musics. Journal of Aesthetics and Art Criticism 73(4), 2015, 427-439.

Guter, E. & Guter, I. (2015). Impurely Musical Make-Believe. In A. Bareis & L. Nordrum (Eds.), How to Make Believe: The Fictional Truths of the Representational Arts. Narratologia. 49 (pp. 283-306). Berlin: De Gruyter.

Guter, E. (2011). 'A Surrogate for the Soul': Wittgenstein and Schoenberg. In E. De Pellegrin (Ed.), Interactive Wittgenstein: Essays in Memory of Georg Henrik von Wright. Synthese Library 349 (pp. 109-152). New York: Springer.

Guter, E. (2010). Aesthetics A-Z. Edinburgh: Edinburgh University Press, 2010. xiv, 237 p.

Guter, E. (2005). An Inadvertent Nemesis: Wittgenstein and Contemporary Aesthetics. British Journal of Aesthetics 45(3), 2005, 296-306.

Guter, E. (2005). Ornamentality in the New Media. In A. Biletzki (Ed.), Hues of Philosophy: Essays in Memory of Ruth Manor (pp. 83-96). London: College Publications.

Guter, E. (2002). Anti-Mimesis Live. In R. Lorand (Ed.), Television: Aesthetic Reflections (pp. 139-160). New York: Peter Lang.